BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:adamgibbons/ics METHOD:PUBLISH X-PUBLISHED-TTL:PT1H BEGIN:VEVENT UID:3297@alll.askapunk.net SUMMARY:THE DEVIL AND THE ALMIGHTY BLUES // Neue Zukunft - Berlin DTSTAMP:20260405T201737Z DTSTART:20260424T170000Z DTEND:20260424T200000Z DESCRIPTION:THE DEVIL AND THE ALMIGHTY BLUES\n\n24.04.2026 - Neue Zukunft\, Berlin\n\nDoors: 7pm / Start: 8pm\n\nTickets: https://www.greyzone-ticket s.de/produkte/1132\n[https://www.greyzone-tickets.de/produkte/1132]\n\nWit h a profound love for the old heroes of the Blues walking hand in hand wit h\nrock\, metal\, country and last but not least punk\, The Devil and the Almighty\nBlues is armed with vintage Gibson guitars and tube amplifiers. Their new take\non blues-based rock is heavy without becoming metal\, slow without being doom\,\nbluesy without being straight up and boring. It’s s low\, heavy\, melodic and raw.\nFar from being a possible hit on the radio \, but on the other hand – who really\ncares??\n\nWhen the 60’s turned int o the 70’s there was a musical crossroads. The American\nblues had had it’ s run with teens on both sides of the Atlantic long enough so\nthat the bl ues-offspring named rock’n’roll had to expand or die. It did not die\,\nit expanded in all kinds of directions! And right there in the crossroads\nb etween blues-based rock and all the world’s other sub-genres of rock\, som ething\nhappened to the blues. The format got experimented with\, expanded and almost\nmade unrecognizable. But at the same time the roots to the or iginal ’real’ blues\nwas never lost. Where Peter Green left Fleetwood Mac in 1970 with the track\n«Green Manalishi»\, where Johnny Winter stretched his musical legs\, where ZZ Top\nbought Marshall full stacks and shot from the hip\, and last but not least where\nthe legend himself\, Muddy Waters \, stretched the limits of that was ’legal’ with\nthe album «Electric Mud» . And not to forget Hendrix\, Free\, Canned Heat and the\nrest of the gang from the Woodstock-era. The result was a highly electric\nmusical revolut ion\, where e.g. the newly born genre hard rock walked hand in\nhand with traditional delta blues.\n\nIt is out from this musical mud The Devil and the Almighty Blues have found\ntheir inspiration. Their music is slow\, he avy\, melodic and raw\, all without\nlosing the almighty blues out of sigh t. URL:https://all.askapunk.net/event/the-devil-and-the-almighty-blues-neue-zu kunft-berlin LOCATION:Neue Zukunft - Alt-Stralau 68\, 10245 Berlin STATUS:CONFIRMED CATEGORIES:DIY,berlin,psychedelic rock,stoner rock,doom,heavy rock,heavy bl ues X-ALT-DESC;FMTTYPE=text/html:

THE DEVIL AND THE ALMIGHTY BLUES

24.0 4.2026 - Neue Zukunft, Berlin

Doors: 7pm / Start: 8pm

Tickets: h ttps://www.greyzone-tickets.de/produkte/1132

With a profound lov e for the old heroes of the Blues walking hand in hand with rock, metal, c ountry and last but not least punk, The Devil and the Almighty Blues is ar med with vintage Gibson guitars and tube amplifiers. Their new take on blu es-based rock is heavy without becoming metal, slow without being doom, bl uesy without being straight up and boring. It’s slow, heavy, melodic and r aw. Far from being a possible hit on the radio, but on the other hand – wh o really cares??

When the 60’s turned into the 70’s there was a musi cal crossroads. The American blues had had it’s run with teens on both sid es of the Atlantic long enough so that the blues-offspring named rock’n’ro ll had to expand or die. It did not die, it expanded in all kinds of direc tions! And right there in the crossroads between blues-based rock and all the world’s other sub-genres of rock, something happened to the blues. The format got experimented with, expanded and almost made unrecognizable. Bu t at the same time the roots to the original ’real’ blues was never lost. Where Peter Green left Fleetwood Mac in 1970 with the track «Green Manalis hi», where Johnny Winter stretched his musical legs, where ZZ Top bought M arshall full stacks and shot from the hip, and last but not least where th e legend himself, Muddy Waters, stretched the limits of that was ’legal’ w ith the album «Electric Mud». And not to forget Hendrix, Free, Canned Heat and the rest of the gang from the Woodstock-era. The result was a highly electric musical revolution, where e.g. the newly born genre hard rock wal ked hand in hand with traditional delta blues.

It is out from this m usical mud The Devil and the Almighty Blues have found their inspiration. Their music is slow, heavy, melodic and raw, all without losing the almigh ty blues out of sight.

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